(Budapest, 1985-)

 His creative work has been inspired by Japanese art from the beginning. After his watercolors of birds placed in ethereal landscapes, he created acrylic and then large-scale figurative oil paintings.

 His work is characterized by a diverse and continuous experimentation, the canvas is replaced by wooden boards and steel plates, taking advantage of the properties of the materials: he creates his images by heat treatment and chemical experiments. The hardened surface of the steel plate expresses constant change, the rainbow colors appearing on it show the phases of transformation. In the wooden board pictures, the grain of the wood remains intentionally visible, which is part of the composition.

 His paintings exist in two-and-a-half dimensions: the backgrounds are unfinished, indefinable, evoking a dreamlike atmosphere, or even a shimmering memory.

 He graduated from the Moholy-Nagy University of Arts in 2012, his teachers were Vladimir Péter and András Bánfalvi, and he also worked in the workshop of Arnold Gross, assisting in the production of colored etchings.

 For three years, she has been studying sumi-e, or Japanese ink painting, and raku, or ceramic art, at the Zen Academy of the Buddhist College from Anet Szeremley. In addition to Zen philosophy, she also incorporates aesthetic knowledge into her work.