abrahamanna

Anna Ábrahám

HUNGARIAN

(Bp.1985-)

From the beginning, his creative work has been inspired by Japanese art. After his watercolours of birds in ethereal landscapes, he created acrylic and then large-scale figurative oil paintings.

His work is diversified, characterized by constant experimentation, replacing canvas with wood and steel plate, exploiting the properties of the materials: he creates his images through heat treatment and chemical experiments. The hardened surface of the steel sheet expresses constant change, the colours of the rainbow showing the stages of transformation. The wood grain, which is part of the composition, is deliberately left visible in the wood panel images.

Her paintings exist in two-and-a-half dimensions: the backgrounds are unfinished, indefinable, evoking a dreamlike mood or even a glowing memory.

He graduated from Moholy-Nagy University of Art and Design in 2012, his masters were Vladimir Péter, András Bánfalvi, and he also worked in the studio of Arnold Gross, helping him to make colour etchings.

For three years she has been studying sumi-e, or Japanese ink painting, and raku, or ceramic art, at the Zen Academy of the Buddhist College with Anet Szeremley. In addition to Zen philosophy, she incorporates aesthetic knowledge into her work.

ENGLISH

(Bp.1985-)

Her artistic practice has been inspired by Japanese art since its inception. Following her watercolors depicting birds in eatherel landscapes, she progressed to acrylics and later large-scale figurative oil paintings.

Her work is multifaceted, characterized by constant experimentation. She transitioned from canvas to wood panels and steel plates, exploring the unique qualities of these materials: using heat treatments and chemical experiments to create her images. The tempered surface of the steel plates symbolizes perpetual change, and the rainbow colors appearing on it reflect the phases of transformation. On her wood panel pieces, the natural grain of the wood is deliberately left visible, becoming a part of the composition.

Her paintings occupy what can be described as a two-and-a-half-dimensional space: the backgrounds remain unfinished and indefinite, evoking a dreamlike atmosphere or the nature of radiant memories.

She graduated from the Moholy-Nagy University of Art and Design in 2012, where she studied under Péter Vladimir and András Bánfalvi. Additionally, she worked in Arnold Gross's studio, assisting in the creation of vibrant copper engravings.

For the past three years, she has been studying sumi-e (Japanese ink painting) and raku (a traditional ceramic technique) at the Zen Academy of the Buddhist College under the mentorship of Anett Szeremley. In addition to Zen philosophy, she integrates aesthetic principles into her works.

  • Primavera

    Primavera

  • silent_echo

  • Two roads meet at rest fall

  • The Gates of the Mist

  • Kitsune the spirit of the forest

  • Discovery

  • Presence

  • Shine

  • Always change

  • Retrieved from

  • Existence

  • Morning of the deer

    Morning of the deer

  • The defender

    The defender

  • The way of the warrior

    The way of the warrior

  • Blue heron

    Blue heron

  • Blue bird of paradise

    Blue bird of paradise

  • Cool heron

    Cool heron

  • Purple Pea Cap

    Purple Pea Cap